Thursday, December 22, 2016

Passengers: The Most Expensive Romance Movie Ever


2016 has been pretty terrible for film.  There have definitely been a few diamonds in the rough, but overall it's been bad sequels or spinoffs, under-performing movies that should've done better, and misleading trailers. Other than I'd say Rogue One, no trailer this year has been this misleading than Passengers.  The trailer sets up the movie the right way-- two people on a space ship heading toward a new planet have been "accidentally" woken up 90 years early. That's just the preface of the movie in the trailer.  The rest looks like a frantic sci-fi mission for the two to figure out how to get back to sleep amid a series of escalating problems they have to solve all on their own.  The trailer then ends on a "mystery" when Chris Pratt's character says, "there's a reason we were woken up early". All of this is fine except for the fact that it's not exactly that truthful about the content of the movie. But, we'll get to that.

I was initially excited about the film because it's a genuine original entity.  In a time when Hollywood balks at originality, this spec script was listed on Hollywood's "Blacklist" of the best unproduced screenplays. It was purchased for a lot of money and paid a ton of it to its stars.  Then, you have the casting of two of the hottest actors in Hollywood right now... it must be a great script! It's not a bad script... if you understand what you're going to be watching before you watch it. But, if you're trying to make the case that Hollywood should settle down on the sequels and superhero movies and prequels and spinoffs... Passengers isn't really the movie to do that.

Here's the story... and this is without spoilers unless you're truly trying to become invested in the movie the trailers want you to believe it to be. Chris Pratt is Jim.  He's in hyper-sleep aboard a ship heading toward a new planet that will arrive 120 years. Unfortunately, for ole' Jimbo, the ship... in the very opening sequence of the film... hits a meteor shower and is pelted by meteors that penetrate the ship's shield and knock something loose... waking him up. So, immediately it is made known that there is no big secret as to why he is awoken from his slumber. This completely forfeits half of what the trailer is trying to sell the masses. Anyway, Jim is alone for over a year, hitting the brink of suicide when he decides to do something unimaginable-- wake someone else up and completely ruin their life to make his better.  Granted, he does struggle with the situation for a few minutes, but eventually wakes up Aurora (which is also the name of the Princess in Sleeping Beauty-- this movie is pretty on the nose) played by Jennifer Lawrence.

Jim doesn't tell Aurora that he's woken her up and plays it off like it was another malfunction.  After he convinces her that he's tried literally everything there is to try to get them back to sleep, they start to accept their situation and wind up falling in love. This is a good chunk of the film.  OBVIOUSLY, she finds out what happens and is genuinely pissed off about it.  That's when they start to figure out about the rest of the ship deteriorating slowly because of the meteor and what they have to do to fix it and mend their broken relationship because what Jim did was essentially murder Aurora as well as her plans, hopes, and dreams. And that whole "there's a reason..." line that Pratt delivers... not in the movie. Made entirely to fuck with you in the trailers.

The film is just a big budget romance movie. It's like You've Got Mail in space, except way more expensive and a lot more creepy.  There aren't really any cool sci-fi moments, there are hardly any scenes outside of the ship itself, and all of the sci-fi action teased in the trailer happens near the very end of the movie and don't last nearly as long as they should've. It's a gorgeous movie to look at and the two leads are very affable. It wouldn't nearly be as decent as it is without the chemistry and amiability of the stars. But, there's just not a lot to the movie. Most of the movie could've been set in New York with her as a workaholic and him as a freeloading slacker with big dreams and not a whole lot is different.  The movie is big, the effects are awe-inspiring, the atmosphere is so expensive looking... but the story is actually pretty simple.  There isn't a ton of conflict beyond their relationship and any conflict that arises is solved pretty simply. There's really no true moment of dread among the entire movie.

The other part of the movie that is surely going to turn people away is the fact that if you examine the movie closely and the motivations of Jim's character... it's actually a little terrifying.  It's something that the writer and director could've decided to use to examine the topic of consent and how the line is actually a lot thicker than it appears to be, especially now in today's time when those who cross that line of consent and head into rape territory seem to not only get minimal punishment, but the discussion is still very polarizing... and it shouldn't be. There is no rational excuse for Jim's behavior waking her up and ruining everything about her life just because he was lonely and suicidal.  It's still not his decision to make. Sure, in movie world, it's supposed to play as cute that he sees her in her pod, looks her up, reads her story, and falls in love with her all due to pretty superficial reasons... but in the real world that's some serious not-okay shit. But, the discussion is never had. It's used as a plot device to create a "love story" that's 92% fucked up and 8% cute. They don't end up together because true love conquers all... they end up together because Stockholm Syndrome is real... even in space.

Passengers is currently at a 30% on rottentomatoes and I genuinely thing that it's an unfair score. The movie isn't Adam Sandler bad (though it's been a while since he's hit a score as high as 30%), but I'm guessing the low score stems from most of what I've discussed. Those who enjoy Ridley Scott sci-fi epic action movies with two very popular and likable stars are probably going to be sorely disappointed. This movie is more in the realm of Romance than anything else. There are very enjoyable moments in the film. The first twenty minutes or so of Pratt alone is fun to watch until it turns quite bleak.  There are moments between Pratt and JLaw that are very touching and heartfelt and even real.  Even Michael Sheen's portrayal of an android bartender (used as a device so that Pratt has someone to talk to-- like Wilson in Castaway) is all good.  But the movie leads up to almost nothing and the end, though it tries to create a bit of excitement, does feel a little anti-climactic. The movie wasn't a failure, but it certainly isn't going to turn any heads back the way I was hoping with producers in Hollywood giving original material more of a chance.

C

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