Friday, November 11, 2016

Arrival: The Story Of Our Lives


Aliens come down to Earth. They set twelve of their ships in twelve different locations all over the planet. They attempt to communicate with us, but their language is so advanced we can't make out if it's words of peace or of war. What do we do? Like, honestly, what do we do? In light of recent election events it's hard to ponder a scenario that doesn't involve acts motivated by fear of the unknown. We've shown, as a nation, that a majority of our decisions are motivated by fear.  I'm not just talking about Trump tactics of shipping Muslims out of the country and banning them from coming back in.  I'm talking even like taking a movie out of theaters because there's been a threat from North Korea that if theaters show this film, there will be an attack on our country. What do we do? We pulled the movie from all major theater chains... out of fear. There was never going to be an attack. But we acted out of fear.  Fear is such a powerful motivating factor, especially when it comes as a threat to humanity's way of life. And there are powerful decisions that often need to be made by people in power. Decisions that can be swayed by fear... or by love. These are the themes explored in Arrival. Decisions based on fear or love can both result in undesirable consequences, but if we already know the outcome, do we still proceed?

Arrival is my favorite kind of sci-fi film. It's not loud and explosive. It's not bogged down with heavy action or CGI.  It's a quiet, slow build favoring intellect over carnage. The tone of it reminded me of last year's Ex Machina. In Arrival we follow Louise (Amy Adams), a linguistics professor, who lives alone with the constant memory of her broken family: a husband who left and a daughter who's died. When alien ships appear in twelve spots around the globe, Colonel Weber (Forest Whitaker) recruits Louise in order for her to be able to figure out a means of conversing with the aliens (mostly to find out if they're here to f**k our s**t up or not). Along the way is Ian (Jeremy Renner), a mathematician there to aid Louise in figuring out the complex structure of the alien language. When Louise figures out that contact is better suited with visual symbols than actual speaking, the rush is on to figure out who these aliens exactly are and what these aliens exactly want before one of the eleven other countries dealing with the same problem panics and declares war on the visitors.

This is the heart of the movie. Amy Adams is the perfect person to cast because she wears her entire character in her eyes. She's subdued and vulnerable, yet tough and not ready to make snap decisions based on fear of the unknown. When she translates one of the words from the aliens to be 'weapon', she doesn't automatically want to rush to the conclusion that they're here to start a war. She uses her brain (what a crazy concept) to conclude that the term 'weapon' and the term 'tool' are so close in meaning that either side could misinterpret. Other countries/people hear 'weapon' and it's such a violently loaded word that fear takes over and panic ensues. But the movie doesn't snap into the District 9 type of alien v. human battle one might expect. We stay with Louise. We watch her make informed decisions based on logic and reason, rather than irrational judgements that could start a nuclear war.

The movie is beautifully shot and directed by Denis Villeneuve (Prisoners, Sicario) who commits to the genre. This is a thinking-person's sci-fi and he doesn't build up to an ending only to cheapen it with computer-animated battle sequences. In fact, the ending of this film is so beautifully poetic, anyone looking for a District 9-type sci-fi will probably be sorely disappointed. I don't want to give too much of the film away. It's better to go in knowing only minimal information about the film and just let it play out. The science behind the movie is perfect which lead to beautiful visuals and gorgeous filmmaking/story telling. This will not be a movie that I soon forget and if you're close enough to me that we talk every so often, I probably will be recommending it to you several times. It's not to be missed. And it's the movie we all desperately need, especially right now.

A 

No comments:

Post a Comment