Thursday, August 14, 2014
Boyhood: 12 Years A Movie
What? Never heard of Boyhood? It's a shame because much like two of my other favorite movies this year (Chef, Snowpiercer) it is not widely known. Boyhood is the culmination of the truly ambitious project started by director Richard Linklater. He began twelve years ago the story of a six year old boy and his life. He then would stop filming and pick up the story where he left off a year later until the boy was eighteen. We get to see this kid, and in the beginning he is an actual child, grow up to become an adult... and it's wonderful.
I honestly didn't know what type of movie to expect when entering the theater. I knew the premise and I know the director, but I wasn't sure what route he was going to take with the filming the same kid every year gimmick. I assumed it would be a series of birthday vignettes, however it is a logical, cohesive and fantastic story of one boy's journey from boy to man. We begin with 6 year old Mason. He's a normal kid, kinda quiet, living with his single mother (Patricia Arquette) and sister Sam. His dad (Ethan Hawke) is somewhat of a deadbeat dad, but not in the Hollywood sense. He's the deadbeat dad in the real-life sense in that he kinda took off on his family, but he feels guilty about it, does, indeed, love his children and is very much trying to make up for the lost time. Mason grows up in different houses depending on who his mother is banging/married to at the time. He splits time between his mom and dad's house and deals with being a boy and having an older sister.
What's almost surprising about the film is that it tries very hard to be as accurate and non-Hollywood as possible in the telling of a boy's life. There is no major twists and turns. There is no moment of Mason was messing around in the garage and accidentally cut off his own leg. Or Dad was just fooling around with the kids in order to get money and then split once more. Or even the portrayal of each age Mason goes through. It's all very realistic. He's a normal child going through what, sadly now, is more or less a normal childhood. His mother does his best to raise both of them while juggling work and going back to school. His dad does his best to give him advice, be his friend, but still maintain the integrity that a father should employ. It's been engrained into our heads that there needs to be these huge emotional scenes of surprise in order to tell a legacy of someone's life and I found myself trying to predict when something truly screwed up was going to happen to Mason or someone he loved. But it never did. Just as it never did in my life as well.
This is why I enjoyed watching Mason's story much more when he's a child up until right before his teens. He's a curious boy, doing little boy things, with little boy interests learning from everyone around him. He watches as his mom goes from a pushover with a (surprisingly well done and not over the top) abusive boyfriend to a strong-willed independent woman and mother. The child actor must've had a lot of input in deciding what to film with Linklater because nothing about his childhood seemed faked. It didn't seem like an adult writing a script with dialogue he thinks a child would say or scenes he thinks a child would experience. It all seemed very organic and natural and it was a delight to sit and watch.
However, as much as I thoroughly loved watching Mason mature into an adolescent, once he hits his teens years, the movie became a little more difficult to stomach... in a good way. Here's what I mean by this... Mason's quietness matures him into an almost emo teenager. He's still good-hearted and we still like him, but he becomes a typical 2010s teenager. The aspects of his life that he thinks are important have little importance to me as an adult. The conversations he has as a teenager and the outlook he has on life and all of the moments he has as a teenager that he would consider "deep" are complete bullshit. Because that's what a teenager is! They're terrible and certainly close to unwatchable when being portrayed accurately on screen. It's not that we start to dislike Mason as a person, we just know that he is now a teenager. Teenagers suck in real life. Therefore, Mason sucks at this point. It's almost laughable the scenes of him older because everything about his life is great, yet he can only see the darkness. Or poignant moments he experiences won't mean a thing ten years after the film. The fact that Linklater was able to so closely and accurately depict the emotions and feelings and whinings of the typical American teenager was astounding. I didn't loathe these scenes because the movie started dragging on and falling short... I was starting to loathe each scene because they were done so perfectly. This is a very strange dynamic of the film that I highly respect.
At nearly three hours, this film is worth every dime of your admission price. Ironic that I saw it during a movie hopping session. It was a highly ambitious journey that for all intents and purposes shouldn't have succeeded in becoming a near perfect portrayal of boyhood. With studios and budgets and timing, there were a million ways for this movie to fail, but it doesn't. It's one of the best movies of this year and I highly recommend it to almost anyone.
A
Teenage Mutant Ninja Turtles: Cowa-BORING
There's always those one or two movies every year that I feel like I have to defend why I even went and saw it. There's no reason I should be posting a review of Teenage Mutant Ninja Turtles right now. There's no reason I should've gone to work, collected a paycheck, deposited it in the bank, entered my car, burned fuel whilst on route to a theater, stimulated my leg muscles as I walked to the box office, utilized my vocal chords by ordering a ticket, sat in the theater and watched this film. No reason. Well, I mean, I guess I kinda didn't do all that. It was a day of movie hopping. This is a wasted day that I like to occasionally take where I pay the egregious $11.50 for a single movie ticket and end up seeing two or three movies in without paying for the others and actually getting my money's worth. The plan was for me to pick one movie, the lovely enchantress I was with (ie. my significant other) to pick the other film and if time allows, a mutual decision. My choice was Sex Tape. Yeah, I know it's supposed to suck, but I love Jason Segal and I don't care. Her choice was the previous entry, Into the Storm, which was the biggest mistake. However, after the latter movie ended, the former had already started and the time didn't match up properly. So, the closest movie playing was... you guessed it... TMNT.
I wasn't an avid TMNT fan when I was a kid. I mean, I had the toys, thought Shredder was the only mofo who looked threatening in purple, and was fascinated by The Secret of the Ooze. That's the extent of my turtle love. So, when I saw they were rebooting it again, I was, needless to say, apathetic towards the idea. They announced Will Arnett... who I like. They announced William Fichtner... who is great. They announced Megan Fox... who is hot, albeit worthless. Sure. Sounds like I'll be seeing it. MISTAKE. This movie was bad, and not in a good way. And it could've been good. I liked where they thought they were going with it... but then just kinda steered away from the right path and went down the complete wrong one.
Problem number one with the movie is that it isn't fun. It's not fun. No one is having a good time while watching this movie. No one. Not even your kids. They're not having fun. There is no fun to be had. They checked their fun at the door. Come on... you've got a premise so ludicrous about turtles. Turtles. TURTLES. But, they're not just turtles... they're teenage turtles. But they're also mutants. Obviously. And they're not just mutants... they're ninjas as well. Ninjas. Okay. You tell me you're showing me about kung fu fighting mutant turtles who haven't even reached adulthood yet... I'm in! I'm in all the way. How do you not have fun with that?? Part of what makes a reboot so successful is the origin story. Yes, this one has an origin story in it. In the first two minutes. Told as a voice over and through animated silhouettes. We don't really get to know the turtles either. The red one has an attitude problem. The purple one is kind of a poindexter. The blue one is sensible. And the orange one is a horny little bugger that creeped me out more than it made me laugh.
We get brief glimpses into their fun side, but the story starts immediately and goes on one track the whole way through. It's about citywide domination. "Rule the city!" Not really sure how that works in 2014... but I'll go with it. I just don't understand how it wasn't any fun. They're supposed to be wise-cracking. They're supposed to eat pizza. They're supposed to do karate! But, it's not fun. It's boring. It's sad. It's eyeball-rolling inducing. I mean, while looking for stills to throw up top for the main blog picture I came across this photo:
Look at that! That's gotta be turtles, covered up in a large trenchcoat and hat and pretending to be a singular human on the streets of New York. That looks like a fun scene! Is it in the movie or a scene that even resembles something even close to that? No! They cut out all the fun. It's like they showed a screener to a bunch of kids and every time they laughed or clapped or showed signs of having a good time, that scene was re-shot much more bland and the rest was cut from the finished project forever.
Not that you were planning on racing out to see the film anyway, but leave this one alone. Don't let that 90s curiosity get the better of you like it did me. The action is wanting, the acting is hollow (seriously Will Arnett, what drew you to this script??), the movie is long, and it's just as fun as painting one wall over and over and over again.
D+
Into The Storm: It Sucks!... Get It?
The good news here is that all of you know that Into the Storm was going to suck. All of you. Not one of you thought it genuinely looked like a decent movie. There may have been some who thought they could bypass all the shit and just watch the tornado destruction. I advise against this. Strongly. Into the Storm is what happened when a seven year old went and watched Twister, then immediately went home and wrote his own tornado movie. Then, he waited 18 years and finally submitted it... the unabridged childhood version... to a major movie studio... they paid for it, filmed it, distributed it, and released it all in it's unedited glory. This is a movie written by a seven year old for five year olds. Plain and simple. It's awful.
We are given nothing to work with in this movie. First, it's a found-footage disaster film. This gimmick is getting sooooo tired. I still sigh when i hear another movie is going this route. It doesn't work. At all anymore. In fact, in a film that people only go to see for the effects, found footage is the worst way to go. We are also give stock characters. No. I take that back. They're not stock characters. These "characters" are written so poorly that stock characters are even going, "Jesus Christ, are you serious?" The acting is so bad that three or so characters blended together for me that I couldn't keep track of them... and they weren't even the same race. The star of the movie is literally "that guy who was the doctor in The Hangover."
As a filmmaker I'd have to assume it must be just as difficult to make a movie as bad and poorly made like this one, as it is to make an Academy Award winning film. It's not laziness or ineptitude. People genuinely have to TRY to make a movie this bad. And, let's be honest here, disaster movies have never been written well, but there have been great ones. Twister is a classic. The Day After Tomorrow, The Poseidon Adventure, even 2012 had more going for it than this messy heap. There was something about the actors, I guess, back in the day (the 90s) that made people give a shit. I watch Dante's Peak mainly for the volcano exploding and the death and mayhem, but I also care if the main characters live or die. Even the prick boss who gets it late in the film, I felt bad about. This movie... wow... they couldn't kill them as fast as I wanted. I think actually you only get to see two deaths. Only two. And they're stupid. Obviously.
You weren't going to see it anyway. But, if there's still that slight notion in your mind...
D-
Saturday, August 2, 2014
Guardians of the Galaxy: The Most Surprising Movie Of The Year
Note: I have like five minutes to write this and will not be near a computer for the next five days so this is a very crunch-time, quick review, but I feel that's all this movie needs. When I return, I should be able to expand upon the review. Maybe. If I feel like it. Fuck it, it's my blog.
So... Guardians of the Galaxy. Another entry into the Marvel universe. I've seen countless trailers for the film and none of it interested me. I like almost everyone in the cast, but it just didn't look like anything that I would enjoy. Plus, as I've said a lot this year, I'm SICK of superhero movies. They're coming out every other week it seems and I'm just over all of it. But, again, I'm looking at rottentomatoes and it's telling me high ninety percent in the positives, so naturally, I have to set aside my proclivities and see it. I'm really glad that I did.
Guardians of the Galaxy isn't a superhero movie. Actually, the way it presents itself is almost anti-superhero. The writing is genius and the acting is phenomenal. The movie is phenomenal. It's actually the funniest movie of the year. When you're not mesmerized by the effects, the sets, the colors, and the plot, you're laughing your ass off. I genuinely feel that this is the BEST Marvel movie ever made. I'm a huge fan of Iron Man 3 and Captain America was really good, but this one kills them all and even shows The Avengers up. I will see this movie many, many more times before I die. Minus anything Christopher Nolan has ever done, this is my favorite comic book movie.
See it. See it right now. Stop reading and see it. There's no reason for me to keep writing because you should be headed out to see it. Now.
A
Monday, July 28, 2014
Hercules: Not At All What You'd Expect, Except Exactly What You'd Expect
Let me begin by explaining that I never thought that I would ever be writing this review. Like ever. Because if I'm writing this review then I have seen a movie called Hercules starring an ex-wrestler. Granted, he's an ex-wrestler who is incredibly charismatic and charming, and he's establishing himself as an acting staple... but still. It's Hercules. And The Rock. And Brett Ratner. It should never work. Like ever. Like ever ever. Then came the trailer that played before EVERY movie I've seen this summer. And my suspicions were confirmed. Yes, it looked terrible. The Rock with a testicle-hair beard and a flowing head of hair fighting CGI monsters isn't really even a great idea in theory, honestly. However, the reviews starting coming in. Yes, I know, a reviewer who reads reviews... how meta. And they were positive. They weren't slamming the film like I assumed they were going to. In fact, the only descriptions I kept reading were of how "thrilling" and "smart" and "fun" the movie was. After that... I just had to know.
Everything you've seen in the previews... the fighting of the giant lion, the three headed dog, the serpents in the lake, etc. are all done as folklore and myth and shown in the first five minutes of the movie. Sorry. If you were looking for two hours of that... you're already going to be let down. This is about Hercules, the man. Dwayne Johnson (the actor formerly known as the wrestler The Rock) plays Hercules, a mercenary for hire who thrives off the legends told about him. In actuality, he's just a really big mofo with some skilled friends who can boast his stories to make him actually appear demi-God-like. He's not necessarily NOT a demi-God, but there's no saying if he is either. It's really left up to interpretation. So, he and his band of misfits are recruited by Lord Cotus (John Hurt) and his struggling kingdom in order to use his mythology against the rival kingdom headed by Rhesus (who may or may not be a centaur). The kingdom is compiled of inept farmers, not soldiers. So, after a few failures and some standard training montages, they're ready to fight by Hercules' side.
What separates this movie from other films like it such as Immortals, The Legend of Hercules, 300: Rise of an Empire is the personality. This film is very aware that it's got an ex-wrestler actor portraying a mythological character and it, more or less, runs with this attitude. It's silly, but not to the point of dumb. It's campy, but not to the point of unwatchable. It's funny, but on purpose. It's got good action, good adventure, and good laughs. It's a well-written film that knows it wants to be better than the aforementioned passionless films. So, it's nothing like what you'd expect from the trailer because it's actually succeeds in achieving it's aims. But, it's also exactly what you should expect from The Rock in a mythological action film. He's nothing but charming. Even when he's trying to act like a badass, you can tell he and the band of misfits have the most fun because they have a natural chemistry. And the villains... you know what... I don't need to spend two or three more paragraphs analyzing the specifics of what makes Hercules, not just simply a watchable film, but a film that most will enjoy if they're willing to let go of that judgement you know you hold inside of you after seeing the trailer. If you can release that Kraken... you WILL have a good time.
PS-- I will now watch The Rock in anything. Anything.
B
Sunday, July 27, 2014
Snowpiercer: The Best Movie This Summer You Haven't Heard Of
Big budgets and no soul. This epitomizes summer movie faire. Normally, there's one or two decent big budget movies that sneak by and entertain a lot more than you expected it should (this year it was Edge of Tomorrow) and there's four or five indie movies that come out to select theaters that fly under the radar that really should get more attention it deserves. And very rarely... you get both. The successful combination of what appears to be a big budget "popcorn" flick with that indie feel is what Snowpiercer ends up being. It's a fantastic sci-fi from director Bong Joon-ho (The Host, no not that Stephanie Meyer shit) that is the most unique and fun action movies this year.
The premise is one that in the hands of a lesser writer/director could've gone Transformers very easily. The government has manufactured a chemical element they believe if they shoot into the atmosphere will end global warming altogether. They were correct... except that the chemical, once mixed with Earth's atmosphere turned the Earth into an eternal winter. This, in turn, kills off every living being on the Earth. The only select few who've survived reside on the Snowpiercer, a high speed train that continuously circles the Earth. We begin in the lower class car, the back of the train, where we get to know Curtis (Chris Evans) who has plans to take over the train, by way of making his way from the back to the front, killing everything in his path. The back of the train is overpopulated, it's run almost like an internment camp with daily executions and food rations coming in a small gelatinous protein brick. The head of the soldier's guarding each door is Mason (Tilda Swinton) who comes off looking more like a Japanese cartoon than a real person, yet she may be the creepiest person on board.
The passengers in the back of the car are tired of their everyday routines. They're starving, they're tattered, and they want what those in the upper class cars have: a pleasant life. The rest of the film revolves around Curtis and his band of "soldiers" moving their way from car to car in order to take over the engine. Because he who runs the engine... runs the train. Each car has something new hidden in it, a new challenge, a new discovery. Watching these people navigate the train and overcoming incredibly creative obstacles makes for one damn fun movie.
To add to the success of the writing and directing, the cast is superb. Chris Evans is quickly establishing himself in Hollywood as a very bankable actor. He exceeded expectations in the Captain America films and he's even grittier and better in this film. Tilda Swinton, as always is flawless.
The term "popcorn flick" generally implies that a movie will visually stun you, keep you entertained, while providing little to no substance. Snowpiercer defies this stigma by providing everything a great movie has to offer. Yes, there's a few CGI'd scenes that could use a little touch up, but with a budget this low, director Joon-Ho does everything in his power to give his audiences the best summer movie that has yet to be seen. This is the movie that should've had the powerful July 4th opening weekend instead of sneaking into a local AMC theater, watched by a select few who heard about it via word of mouth instead of being riddled by trailers over movies and TV. I don't know if it's that easily accessible anymore... it is available on Video On Demand... but however the format, I highly recommend this film. It's a little strange, it's a bit bizarre, but it's a ton of fun.
A
Friday, July 25, 2014
Lucy: For A Movie About Obtaining A Higher Intelligence... I Feel Significantly Dumber
I would love to sit here and discuss each and every reason why Lucy isn't just the worst movie of the year, but one of the worst movies I've ever seen in my life... however, according to the film, since I only access 10% of my cerebral capacity, and the film is THAT much smarter than I am, I guess I won't be able to do so. I can tell you this:
Lucy is beyond awful.
Lucy makes absolutely no sense.
Lucy allows you to care about no one.
Lucy does everything it can to appear intelligent... when, in actuality, a monkey throwing shit at another monkey makes more sense than anything in this film.
Lucy will fail once word of mouth has gotten around.
Lucy is a movie that I'm actually very happy I saw as I haven't hated something this much in quite awhile.
Lucy guesses what science stuff actually does... and misses the mark badly.
Lucy would like you to believe that anything they tell you in it is remotely possible. But, you're much smarter than that and won't buy into it even for a second.
Lucy is far beneath the talent it has employed.
Lucy is one of the only movies I could've walked out of, at any point, and not cared about what happened.
Lucy literally needs no side characters in the film as no one, including the title character, has any agenda or goals.
Lucy doesn't have the cerebral capacity to understand the concept of cerebral capacity.
Lucy has just received Big Peck's Cineflex's very first...
F
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