Sunday, November 27, 2016

Allied: Casablanca Meets No Way Out


I think it's been decided that Brad Pitt should just make World War II movies. Yeah, The Big Short was great and yeah, World War Z was a lot more fun than it was supposed to be.  But, in the last seven years his best movies have been Inglourious Basterds and Fury.  Now, he's starring in Allied alongside Marion Cotillard and directed by one of my favorite Directors, Robert Zemeckis. However, unlike his previous WWII movies, Allied is something of a different beast. It's slower and adds tension little by little over the its two hour run time. It's gorgeously shot, perfectly acted, and very well-executed. If Mr. and Mrs. Smith wasn't a popcorn movie, and was set in the 1940s, it would've wound up pretty damn close to Allied.

Pitt, in a quiet role, plays Max Vatan, an intelligence officer teamed up with Marianne Beauséjour to act as a married couple in French Morocco to assassinate a Nazi Ambassador. This is the first hour of the film. Marianne takes Max around the city, coaching him in the ways a Parisian would act around these particular social circles, flaunting him to her newly acquired friends, and planning their assassination.  All the while the two are slowly, but surely, falling in love. The first hour does move slowly, but effectively. There are long, drawn-out lulls in story, but during these moments we're being showcased our two fine acting leads as well as Zemeckis' talents behind the camera. The second hour, as you've already seen in the trailers, is where the real tension begins. Max is told that his now wife, Marianne, is suspected of being a German spy. Max is to test her over a three day period and await the results, once and for all proving if she is, indeed, selling secrets to the other side.

Now, it might've just been me, but I personally felt that Zemeckis did a fabulous job of building tension at a snail's pace to perfection. The moment Max and Marianne are introduced the tension begins and rises every so slowly throughout the progression of the story. While the stakes of the first hour are different than the stakes of the second hour, those looking for a spy thriller may be a tad bored with the first half. The first half is character and relationship building. The second half is trying to solve the puzzle. But what works so well about the first hour is that we're able to care for these characters and not entirely trust them at the same time. Marianne is great at her job, which makes us question every decision she makes throughout the remainder of the film. Is she exactly who she says she is? Is she actually a spy? Is her marriage to Max entirely a sham? This is what the first hour accomplishes. No one in the theater will be able to answer any of these questions with any sort of certainty until the big "reveal" at the end. And even that is subdued. Zemeckis isn't trying to make some sort of big war/spy blockbuster. It's more Frank Capra kills Nazis kind of a thing. Zemeckis is able to combine romantic movie elements with spy thriller movie elements as well as I've seen in a while (it's pretty much the opposite of The Tourist).

Lately, Pitt has been a lot more modest and reserved in his acting choices. Since his quirky character of Aldo in Inglourious, his roles in The Tree of Life, Moneyball, Killing Them Softly, etc. have been compiled of very restrained characters. It's working well. In fact, his role as Max in this film is even more so and it couldn't have been more effective. Max is a man of few words, and even though he is a fine soldier/spy, his eyes tend to tell a completely different story than his words. Cotillard is stellar as well. She's carries such confidence in her expressions and mannerisms that she reeks of suspicion. Even if the film isn't exactly perfect in every way, the actors we're given the privilege to watch marvel enough for the cost of a ticket.

The film takes it sweet time telling this story and it's not a twisty-and-turny ride of action and espionage. It's more like Tinker Tailor Soldier Spy if it revolved around a love story and wasn't, you know, a complete snoozefest. There is an ever growing sense of tension until the end when it's too hard to take that your heart may nervously beat out of your chest. But, to get to this point, you will need to sit back and relax and enjoy the build. And, since everyone is so keen on petitioning everything under the political sun these days... why don't we start one up right now that says Brad Pitt must make at least one WWII movie every other year? He has yet to let us down thus far.

B+

No comments:

Post a Comment